Fairy Queen 2400X900
HENRY PURCELL

The Fairy Queen

The Fairy Queen was composed to fit between acts of Shakespeare’s play Midsummer Night’s Dream, musically expressing the play’s themes of nature, transformation, love and magic.

This new production will use the dramatic framework from Shakespeare’s text: combining words and music to present Purcell’s beautiful, life-affirming score. A newly commissioned genre-bending arrangement will blend Baroque with folk music, co-music directed by baroque violinist and composer Naomi Burrell, and composer and conductor Harry Sever, our Ring Cycle Conducting Fellow.

Longborough’s Artistic Director Polly Graham will direct this joyful show for all the family, featuring our Emerging Artists and Youth Chorus.

THE LONGBOROUGH YOUTH CHORUS WERE FULL OF VERVE AND FUN

The Arbuturian (Carmen, 2022)

A TRIBUTE TO THE FORTHRIGHT, IN-YOUR-FACE ACTING SKILLS OF THE YOUNG PERFORMERS

★★★★ The Times (Emerging Artist production La Calisto, 2019)

Discover more about The Fairy Queen

Nate Gibsons Set Design For Longboroughs The Fairy Queen

Article: Fairies, mini wildernesses and the forces of nature

The production's director (and Longborough's Artistic Director) Polly Graham describes her approach to Shakespeare’s original text, weaving music through the action, and working with musicians as theatrical performers.

Fq 17

Article: The musical afterlife of A Midsummer Night’s Dream

Honorary Research Fellow of the Shakespeare Institute Dr Catherine M.S. Alexander explores the musical response from composers to Shakespeare's play.

Lfo 2021 The Cunning Little Vixen Cr Matthew Williams Ellis 95

​SUPPORTING EMERGING ARTISTS AT LONGBOROUGH

Longborough’s Emerging Artist production is an opportunity for singers that have recently finished, or are about to finish, their vocal studies.

Youth Chorus 1

The Longborough Youth Chorus

The Longborough Youth Chorus works towards productions at Longborough, community concerts and local showcases, incorporating a wide variety of repertoire.

Part One

In Athens, preparations are underway for the wedding of Theseus and Hippolyta. A group of actors led by Peter Quince plan an Interlude in the hope that it will be selected for performance as part of the celebrations.

Egeus, father of Hermia, seeks an intervention from Duke Theseus. Hermia loves Lysander and refuses to marry her father’s choice of husband, Demetrius. Theseus warns Hermia that by the next full moon, she must either marry Demetrius, enter a convent, or face death. The lovers plan to elope and confide in Helena. Helena decides to tell Demetrius of their plan in the hope of winning his love.

In the forest, Oberon and Titania are fighting. Oberon is angry with Titania because she refuses to give up a changeling boy to be his page. As her fairies sing her lullabies, Oberon devises a trick to spite Titania. He sends Puck to fetch a magical flower, the juice of which, when dropped in the eye of someone sleeping, makes people fall in love with the first person they see when they wake. Oberon orders Puck to use the flower to resolve Helena’s desires for Demetrius, but Puck mistakes Lysander for Demetrius and a tangle of lovers ensues.

Peter Quince’s acting group meet to rehearse in the forest. Puck transforms Nick Bottom into half man, half donkey. The actors flee, Titania wakes and falls in love with Bottom. The fairies entertain him as a guest of honour.

Part Two

The lovers sleep off a long night of confusion. As the night turns to day they return to Athens. Oberon reverses the magic which made Titania fall in love with Bottom, and Puck restores Bottom to his original self. Peter Quince’s group are invited to perform their interlude for the wedding celebrations: The Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisbe.

The Longborough Youth Chorus