Lucia Cervoni


Canadian mezzo soprano Lucia Cervoni studied at the Manhattan School of Music‚ where she received numerous awards and scholarships‚ including the Hugh Ross Award and the Anna Case Mackay Grant from Santa Fe Opera. She was a member of Seattle Opera’s Young Artists Programme‚ where she performed roles such as Mrs Grose The Turn of the Screw and Carmen in Peter Brooks’ The Tragedy of Carmen‚ and won the Washington International Singing Competition in 2007. 

Recent and future engagements include Carmen (Kitchener Waterloo Symphony‚ Canada)‚ Amastris Xerxes (Handel Festspiele‚ and Theater Magdeburg)‚ Fox The Cunning Little Vixen‚ Octavian Der Rosenkavalier and Sister Helen Dead Man Walking (Welsh National Opera)‚ Suzuki Madama Butterfly (Den Jyske Opera)‚ Boesmans’ Julie (Canadian Stage‚ Toronto)‚ Verdi’s Requiem (The Grange Festival); Amneris Aida, Grimgerde Die Walkure, Dorabella Cosi fan tutte‚ Siebel Faust‚ Third Lady Die Zauberflöte‚ Cherubino Le Nozze di Figaro‚ Ulrica Un Ballo in Maschera‚ Mary Der fliegende Holländer‚ Frau Reich Die lustigen Weiber von Windsor‚ Suzuki Madama Butterfly and Donna Isabella Die Braut von Messina (Magdeburg).

Engagements postponed or cancelled due to Covid include Penelope The Return of Ulysses (Longborough Festival), Judith Bluebeard's Castle (Theater Magdeburg) and Dead Man Walking (Norwegian National Opera) and Octavian (WNO). 

As a Fest Artist in Magdeburg she has also sung the roles of Octavian Der Rosenkavalier‚ Charlotte WertherCarmen‚ Hansel Hansel und Gretel‚ Eboli Don Carlos‚ Suzuki‚ Hermia A Midsummer Night’s Dream‚ Niklaus / Muse The Tales of Hoffmann‚ Zita Gianni Schicchi‚ Maddalena Rigoletto‚ Diana Orpheus in the Underworld‚ Tisbe La Cenerentola and Henze’s El Rey de Harlem. Further engagements in Europe include Charlotte (Theater Freiburg) and Suzuki (Staatstheater Schwerin).

Engagements in the USA include Third Lady Die Zauberflöte and Tessa in John Kennedy’s The Trinity (Santa Fe Opera)‚ Cornelia Giulio Cesare (Glimmerglass Opera) and Suky Tawdry The Beggar’s Opera (Castleton Festival‚ under Lorin Maazel).

Notable concert appearances include Handel’s Messiah and Mozart’s Missa Solemnis (Santa Fe Symphony)‚ St John Passion (Singapore Symphony)‚ Mahler’s Die Rückert Lieder, Verdi’s Requiem and Beethoven’s 9th Symphony (Magdeburg) and Messiah (South Carolina Philharmonic).

Recordings include Donna Isabella Die Braut von Messina (released May 2016).

Longborough debut: Penelope/The Return of Ulysses (2021)