Our challenges
Longborough Festival Opera’s setting presents obstacles to maintaining an environmentally sustainable operation, with agricultural buildings repurposed for backstage facilities.
Theatre making can be very wasteful. Sets can have short lifespans, and hosting thousands of picnicking audience members throughout the summer can lead to full skips of unsorted rubbish.
The theatre itself, whilst having capacity for 500 audience members and 60 players in the orchestra pit, has little to no wing space for stage set and props. The remaining backstage area has no storage space for scenic elements, which means we have limits to what can be presented on stage, and what can be stored.
These limitations have inspired great designs for our stage. Lack of storage encourages us to turn to sustainable theatre making, using resources including the Theatre Green Book to help overcome these challenges.
The Cotswolds provides a stunning backdrop and location for our audiences and staff but can be difficult to get to. The village of Longborough is located a ten-minute drive away from the nearest station, which provides access to a limited train service. Our rural location has limited public transport, so most audience and staff have little option but to drive.
2023
- Officially registered with the Theatre Green Book.
- Production Coordinator role created to lead on and track our green plans.
- Sustainability within our work becomes a core part of the 2023 season.
- Data collection, audits, measures, inventories, and learning begin in earnest.
- Regular meetings with key staff are implemented throughout the year and season to discuss and monitor progress.
- Auditorium front of house lighting is replaced with LED.
- We began working with new local caterers, who offer 40% plant-based items on their menu.
- Seasonal site waste streams were improved, with the recycling rate rising from 47.9% in 2022 to 61.1% in 2023.
Designs for the 2023 productions were devised with Theatre Green Book baseline requirements in mind. Successes included:
- Götterdämmerung has a modular set, conceived in 2018, that is reused for all four Ring cycle productions.
- L’elisir d’amore used a set made from sustainable recycled wood and recycled plastic print.
- The L’Orfeo set was created using a steel structure from 2021’s temporary Big Top venue.
- The Fairy Queen’s silver ‘slash’ curtains were sourced from English National Opera.
- Green Card Meetings were implemented for all new productions. A strong line of communication was upheld throughout the season to encourage designs to share resources. Props, costumes, and pieces of set/furniture were shared where possible – the L'elisir “jigsaw” set became splat box pieces and standalone boards/pickets in The Fairy Queen.
- The onward lives of costumes is now considered. Most pieces are hired, and new pieces are offered to cast to buy or donated to costume providers for reuse.
- Props are sourced second-hand where possible or hired. A majority are donated to prop stores and prop supervisors.
2022
Discussions and work begins on improving our production sustainability. Plans for future staffing are discussed and goals set.
Longborough begins gifting singers, players, creative, music and production staff with reusable metal water bottles to reduce single-use plastics
2021
E-tickets were introduced for the 2021 season.
And previously…
During renovations of the Royal Opera House, Martin Graham acquires seats for the Longborough auditorium, giving them a new life in our theatre.